First off, I really like the format of this ebook! It comes on a flash drive in its own little storage tin. This is a great way to keep it stored securely and also will help to keep it from getting lost in the fray of electronic gadgets and USB drives and other paraphernalia we all seem to cart around with us these days.
So, I’m planning to weave up some plain-weave two-colour scarves for an artisan show I’m involved in at the end of November. Combining two separate colours together in my mind from what I have around the studio in cottons and/or cotton-linen (one colour for the warp, one for the weft, keeping it simple) led me to reviewing the Color Grid, by Gail Callahan. […]
ecause this very deep, rich colorway was dyed on SW wool, it retained sections of white throughout, so I decided that I wanted to spin a 3-ply yarn to minimize high-contrast barberpoling and help the sections that were much lighter than the dyed sections blend the colors together more evenly. […]
Part 2 of Lisa Jacobs’ extensive exploration of colourway creation through combining specific colours to blend into artistic yarns.
Colorful variegated rovings abound these days. Some are hand-painted by fiber artists. Others are produced in a variety of colorways by large yarn and fiber companies. Whatever the source, the modern spinner has access to a colorful array of fiber choices. Sometimes it is fun just to spin the roving and ply it on itself to see what happens. On the other hand, you may have a vision for the finished yarn or even for the finished project made from the yarn. In that case, a little bit of planning and a few tips about plying singles from variegated rovings help create a beautiful yarn that enhances for your project. […]
Kim Kaslow of The Woolen Rabbit. […]